Showing posts with label Battle. Show all posts
Showing posts with label Battle. Show all posts

March 19, 2012

Comparisons

So I spent several hours editing Feather and Fang last night, getting the first parts written on par with the last parts as far as style, continuity, and all-around quality is concerned. By doing this, I am able to reconnect with the story, add where it needs adding, and take away what needs taking away.
For example, my descriptions of several years ago were quite wordy and rather bland. I left little to the reader's imagination, tended to more boring than helpful, and usually made references to the real world (something I am trying to avoid). Consider the following:


But where the hawk had been a man was just rising from the ground, as if he had been kneeling. But as the wolf and the man he had turned into were alike, so were the hawk and his new form. His hair was composed of large, flat locks like feathers that flared out as they reached the back of his neck, giving him a low-lying crest. His garments were much the same as the other’s, but his shirt bore a fringe under the arms, also like feathers. His high boots had spurs like those of a rooster on the heel, and his face had strange marking along the jawbone, tattoos that resembled the black markings of a red hawk.


Not bad, but definitely not good either. So I did some reworking; and this is what it turned into:


And as the wolf and the man he had turned into were alike, so were the hawk and his new form. While his garments were much the same as the wolf’s, they were decorated with strips of colorful cloth, bright threads, and pendants of stone and metal. He wore his hair in flat locks like feathers in which were intertwined bits of shell and bone, and his face bore strange tattoos like small wisps along his jawbone. He had bone spurs on his boots and a fringe of leather ran along the arms of his shirt.


Much better. Not only do I accurately describe Crestlen's appearance (now that I know what he actually looks like), but gone are the clumsy references to real hawks and roosters. And it actually flows now, as opposed to the rather disjointed pattern of the former iteration.

That's the taking away part; now for the adding. This mostly comes in play during dialogue, which I've gotten a great deal better since writing this first chapter (this is my oldest piece of work still in current use, predating even Freeborn and Freegiven). For example:


He chuckled. “Indeed, our paths have finally crossed.”
The other snorted. “As well they might, twould be difficult for two assassins to seek each other without ever meeting.”
“Ah! So that is why you seemed not overeager to cover your tracks. I had begun to fear they were a false lead, so obvious were they.”
The first snarled again. “Yes, tis not often that Redpaw, chief of the hunters in Burndell is careless enough to let his tracks go uncovered.”
“Aye, but even if they had been covered, Redpaw Wolf-hunter, not often is Crestlen, Hawk-assassin of Embervale hard pressed to find the trail, however hidden.”
Redpaw nodded scornfully. “Indeed? Know this, Crestlen, Hawk-assassin; if I were to hide my trail with all my skill and cunning, even the keenest hound-scout would be at a loss.”
It was Crestlen’s turn to toss his head in scorn. “Ah, that stumble-footed, keen-nosed kind! Yes, but I am no hound-scout. I track not by smell, but by sight, and I warn you, I can spot a hare-runner from three bowshots off.”

Now, my imagining of this has been forever tainted by an ill-fated attempt I made at a radio theater, in which I did all the voices. And my attempt to make Crestlen sound like a sneering, cold assassin, just made him sound like he had a cold. So now I hear that in my head whenever I read these lines. So... I needed to change them, obviously. Hopefully, the rework is better:

“What sort of civilized talk can there be between us, Redpaw?”
The former wolf, Redpaw, chuckled. “Well, you could at least thank me for waiting here for you. When I learned you had heard of me, I decided it would be far easier to wait for you to come to me than to chase you across all four provinces.”
“Is that so?” replied the other, Crestlen, a sarcastic edge creeping into his voice. “No wonder you left your tracks so plain! They were so obvious I had begun to fear they were a false lead!”
Redpaw’s easy grin faded. “Watch what you say, Hawk-assassin! Not often do I let down my guard without good reason! Him named chief of the bounty-hunters in Fanglen faction is never at a loss to cover his tracks!”
Crestlen snorted in derision. “Even if they had, Wolf-hunter, not often am I hard pressed to find the trail, however hidden.”
Redpaw nodded scornfully. “Indeed? Know this, Crestlen, Hawk-assassin; if I were to hide my trail with all my skill and cunning, even the keenest hound-blood would be at a loss.”
It was Crestlen’s turn to toss his head in scorn. “A pox on that stumble-footed, keen-nosed kind! I am no hound-blood. They may track by smell, but I hunt by sight, and I tell you, I can spot a my prey from near on three bowshots off.”

Not only did I fix most of the Yoda-esque style of speaking, but Redpaw's speech actually fits his character, and all the "Ah!"'s and "Aye!'"s have been deleted. I mean, who starts every sentence with "Ah!"?

Well, that's where I be, sitting in the shadows of a cave deep in Flamehope, watching two master hunters face off in a fight to the death. Call me if you need me. :)
 

March 17, 2012

Why Do I Learn The Sword?

Because swords don't run out of bullets.

Ha ha. But really, why dedicate time and money to learning a long dead art? Why go to the trouble when there is no apparent practical use for it in the modern world? Well, to answer this, I must define the sword.

I actually practice two forms of swordfighting, fencing and broadsword. Fencing is the modern/classical style used for dueling in 1600-1800's.The swords used are foils, sabres, and epee's, all different styles of the same form, which is basically a thin blade with a basket hilt of some sort. Think The Three Musketeers. The foil and epee are only used for stabbing, but the sabre has one edge with which to cut. It is wielded in one hand, with the fencer turned almost at 90 degrees to his opponent to provide as little a target as possible. Movement is strictly linear up and down the strip and the bouts are decided by points. Certain parts of the body are off target, and there are cards for fouls and the like. As you can see, modern fencing is a highly regulated, systematic art.

The distinct opposite is broadswording, which uses, (who knew?) the broadsword! Double-edged and broad-bladed with cross-guard hilt, this is a fearsome weapon. The rules are far simpler than those of fencing, but the repertoire of techniques and tactics is tripled. There are certain guards which always keep your point threatening the enemy, binds which enable you to close in and pommel your opponent, parries which enable you to snap your blade around the other. See, the art of the broadsword is as complex as any eastern martial art. Keep your karate and taekwondo, and give me a sword!

But, I know what you're thinking... unless you carry a sword around in your back pocket... it's not exactly the same! Never fear, I always keep one sheathed at my side. 

Sike! (Though I do keep one in the trunk of my car, in case me and a friend want to have a bout out in the woods). But see, broadswording and fencing deal a lot with balance. In fencing, you learn to keep your balance at all times. In broadswording, you learn to upset your opponent's balance. So if I ever was caught in a situation where self-defense became necessary, I wouldn't necessarily need a sword to apply what I know.

But that's not why I learn how to use the sword. Why I took up both broadswording and fencing was something deeper. See, there is a layer of honor and courage woven deep into the use of the sword. When you use a sword, you must look your opponent square in the eye, face them toe to toe, and test your metal (or mettle) against theirs. And there is something concrete and real there. Not only that, but you must be strong enough to wield a three-foot weapon of steel (or polyurethane, or pvc and noodle, or...) effectively, you must be sturdy enough to block an incoming blow, you must be able to not flinch as your enemy's sword comes swinging towards you. In the end, being able to wield a sword brings a depth of character and strength that a gun could never do. Oh, and it never runs out of bullets. And it's just epic. Period :).

But there's one thing more. See, every Christian is called to use a sword as well. That sword is the Word of God, the Bible.

"For the word of God is living and active, sharper than any two-edged sword, piercing to the division of soul and of spirit, of joints and of marrow, and discerning the thoughts and intentions of the heart." Hebrews 4:12 (ESV)

And that's why I love the sword. Because every time I pick one up, whether it's made of steel or rubber, I'm reminded of The Ultimate Sword, and what it is made of. May I learn to use the Bible as effectively in my heart war as I use my foil in a bout.

February 21, 2012

Soldier's Words

This is a song me and one of my best friends have been working on; he wrote the music and I the lyrics. We're still looking for someone to sing it...

Verse 1
Tonight, I stand
On fields of red
All around
The music’s dead

Softly, now
Unbidden, they come
Memories of old
The tears now run

Hope's fire fades
Sure and fast
Will this battle
Be my last

Valkyries come
To take me away
Will I leave
Or will I stay? 

Chorus
Keep marching strong!
Keep moving forward!
You must move on
Till the battle's over

Hold high your sword
Honor My name
Carve out your hope
In eternal flame

Verse 2
Tonight, hope is gone
The battle
Draws closer
There is no dawn
For those who die
Fear comes still nearer

Bridge
Carved in stone, carved in flame
The words of my king
Telling me to be strong and face
The danger facing me

Chorus

Verse 3
Will I fall or will I rise?
Will I turn or will I flee?
Will I see dawn’s golden light?
I must finish for my king

Now we meet in full array
I stand hard with all my might
Lord, help me to never sway:
I will see dawn’s light!

Chorus 2 
Keep marching strong!
Keep moving forward!
I must move on
Till the battle's over

The sound is strong:
I’m given vict’ry
I will move on
To heaven’s glory

January 6, 2012

The Heart War

Inspired by Sunday's message...

The Heart War

Upon a battlefield colored red
Much blood has yet to be shed
The power of the enemy was broken long ago
But he continues to fight, a present and powerful foe

The heart is this battlefield red
Sin our enemy, not yet dead
Set free from that power in Christ's death
We must battle on until life's last breath

For how can we who died to sin
Still lie subject to it's evil grip within?
The law of Christ has set us free
Let us fight, can you not see?

The battle's already won
The victory's been done
The sword of the word, doubled edged and sharp
Is more powerful than any enemy's poisoned dart

Sin lies at our door, quite near at hand
And it's desire is for our embattled heartland
Stand strong you Christians bold!
The Holy Spirit has wrapped us in His fold

Walk in His power and might
He protects us from the dark of night
Sin has been thrown down
Won is the heart's sacred ground