How Goes the Carving?

Ah, yes, the million-dollar question. That glorious ambition you set for yourself, Farjag? That write-every-night-till-it's-done thingy? That will-not-get-distracted-by-plot-bunnies idea? How's it going for you?

Quite well, actually. All things considered, very well.

Every night? Not exactly. But not distracted? Quite! Work is proceeding steadily forward!

I am currently on page 13, which may not seem like a lot, but it's the furthest I've at the deepest I've been working. If that makes no sense, don't worry. Maybe this will.

My furthest point of editing is page 28. And that was a fairly skimming editing to start with. It was only as I got further in the story that I realized how drastic some of the changes need to be.

For instance, the name of this land, Quartorlen, was one of the last names I created when drawing the map. It was the only place name at the time not formed of two actual words. (Flamehope, Thunderfell, etc.) I then went on to name the land of the shieldsfell similarly, calling it Dyrmlen. When I came up with the differing title system for the shieldsfell, I used the suffix -len as the basis. Patrollen, Magelen.

You see the problem yet? The land of the freeborn is named in the same vein as the names of the invaders.

Despair.... must rename single most used word in the book, must go back and retcon every single blog post, must wipe memories of all readers....

Light bulb! Quartorlen is named so because of the invaders. Think about it.

You and I come, as conquerors, to an island inhabited by a rustic, barbaric people, who divide land into so many tiny parts that it becomes impossible to tell where one begins and the next ends! One island should have one name! Additionally, if there no longer exists a homeland for the natives to fight for, they will not longer wish to fight! So, we shall name this place of provinces... Quartorlen, for when aligned with our compass, it can divided nearly into quarters along the cardinal points. There, problem solved!

Except for the fact that the folk of the four provinces, of Thunderfell, Flamehope, Deepdale and Whitefall, will never forget their own homelands. And the fact that Quartorlen combined is too big an empire to rule over as a united whole. The distances are too far, the landscapes too vast, and the shieldsfell army too small to effectively enforce their rule. And in the far reaches of the four provinces, freeborn wait.

The name of Quartorlen will live on far after the shieldsfell have been banished and many generations have come and gone. But it will be the name of the alliance of the four provinces, a reminder that they must never again refuse to come to the aid of another province, or they will all fall, one by one as they did in the Blood-Invasion.

That was a long for instance. :) But it shows the depth of what I need to do, and what I've already begun to do. Just in writing this, I realized as to why the Blood-Invasion was so successful in the first place. See that part one paragraph up about the provinces standing separately and not together? I hadn't even considered that before.

See, these blog posts aren't just for you readers, they're for me too. :) Long bits of mulling where I can run off my mouth and not get called boring for it.

Cause if you did think I was boring, you wouldn't finish the post and comment on it! Ha, ha I'm genius!

Have a wonderful day ya'll!

P.S. If anyone somehow manages to get the reference in the title, do let me know!

The Ghostreader Speaks

Way back when... well, in January at least, I decided to edit instead of rewrite Freeborn and Freegiven. And immediately proceeded to do nothing about it. Which is understandable, considering I was just starting a new semester of college and writing two other books. But now college has settled into a steady routine (Three cheers for only one class!), I've laid one of those books aside until I can do the proper research (Grudem's Systematic Theology, anyone?), and Feather and Fang's plot is sufficiently intertwined with that of Freeborn to enable me, nay, require me, to actually begin editing my first true novel.
Now, as most of you readers (who also happen to be writers) are probably keenly aware, editing is a lengthy process involving multiple rereads, countless mark-ups, and almost always several other editors who assist the author with a fresh set of eyes. And while I fall back on these tried and true methods soon, I think I've discovered a method that will allow me to edit mostly on my own.

The trick? Get someone to read it to me.

But, wait... you just said you were going to edit it alone...

I am! The reader I speak of is a ghost, or rather, a Ghostreader. This nifty program (for Macs only, I'm afraid), has some of the best computer voices I've ever heard. Basically, they doesn't sound like a computer. Period. Now, the actual program costs $40, but you can get a free demo for fifteen non-consecutive days (Which is a pretty sweet deal, if you ask me). But, enough of product placement, how exactly does this help me?

Well, first of all, having a British person read your own story back to you is simply awesome. And the best part is, she reads all the typos and doesn't read the words I forgot to put in! So now I can listen as I read, and catch all the mistakes my eyes gloss over or my brain fills in automatically. And second, I'm editing instead of reading, so things move a lot quicker. And not having to focus on picking out every single comma misplacement or missing word means I can pay attention to how the pacing flows, how dialogue moves, and any continuity errors.

For instance, I'm currently editing a scene where Farjag is captured by a shieldsfell Containment patrol. Originally, they just came barging in, surrounded him, and immediately set about Containing him. But what I realized is; if he's one of the last freeborn still uncontained, then the shieldsfell aren't going to suspect that he still has the ability to alter. Their commander keeps sending them out on these patrols, but none of them really believe there are really any more freeborn out there who haven't been contained. Also, they way I portray the shieldsfell during the rest of the book didn't really match with how I was drawing them here. So I drew out the scene a little bit, got some banter between Farjag and Patrollen Slarx, and in general reworked the shieldsfell into a little more of the shape they appear at the end.

And it's way better. What about you? What methods do you use to edit your writing?